Innuendo makes for a great night

Review: The Producers, Blackpool Operatic Players

New York producer Max Bialystock joins forces with meek accountant Leo Bloom to stage the worst ever Broadway show, Springtime For Hitler, only for their plans to backfire.

BLACKPOOL OPERATIC PLAYERS - THE PRODUCERS
Leo singing his song "I Want To Be A Producer"placeholder image
BLACKPOOL OPERATIC PLAYERS - THE PRODUCERS Leo singing his song "I Want To Be A Producer"

The appeal and popularity of the piece is due mostly to it’s complete disrespect, innuendo and wacky choreography.

The role of Max (Howard G Raw) must surely be the most demanding part in musical theatre, although this slick and polished performance made it look easy.

BLACKPOOL OPERATIC PLAYERS - THE PRODUCERS  Left:  Howard G Raw, playing Max Bialystock Centre:  Cheryl Dakin, playing Ulla  Right: Neil Townsend, playing Leo Bloom.placeholder image
BLACKPOOL OPERATIC PLAYERS - THE PRODUCERS Left: Howard G Raw, playing Max Bialystock Centre: Cheryl Dakin, playing Ulla Right: Neil Townsend, playing Leo Bloom.

The ridiculously funny scenario to raise money for his production by providing sexual favours to wealthy little old ladies, led by naughty Karen Gray-Thornton, was a scream.

Leo (Nick Townsend) dithered to cringing perfection and his singing voice was delightful during ‘Til Him.

The all-female production team of producer Emma Norman, choreographer Sarah Cosgrove and Helen Harrison. leading the fine orchestra. proved to be a formidable combination culminating in a wonderful evening of entertainment.

Yvonne Fielding

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