Golden oldies will always be welcome back
But it is human nature to hark back to periods in time which hold fond memories for us.
It used to be that at Christmas and birthdays, grandparents would routinely dig out a battered, faux-leather bound photo album and embarrass self conscious teens with pictures of them as toddlers, clad in dungarees and a BA Baracus sweatshirt. But now, thanks to smartphones and social media, memories are far easier to access, although I am unsure whether reminding your Facebook pals that it is three years since you put banana on your pepperoni pizza really counts as nostalgia.
And it is nostalgia at which Brits really excel with television where the art of nostalgia really comes into its own.
Such programmes are really easy to make: take an out-of-work comedian to provide the needless commentary, dig out archive footage and bung on a soundtrack comprising of Depeche Mode, the Stone Roses and Nirvana and the makers are guaranteed millions of viewers.
The viewing public is comfortable watching telly and films they are familiar with, which explains the seemingly constant stream of big money remakes on both the big and small screen. The latest trend is resurrecting 1960s and 70s comedies, which has seen a feature length revisiting of Dad’s Army hit cinemas recently and the BBC has announced plans to remake the classic shows Hancock’s Half Hour, Steptoe and Son and In Sickness and In Health using original scripts.
The decision will no doubt delight millions of old codgers who haven’t enjoyed light entertainment since the Two Ronnies and Opportunity Knocks, but it hasn’t pleased everyone. There has been an argument that this trend for reviving iconic shows from the past stifles fresh ideas and makes life difficult for writers of modern shows but surely the public can decide whether they want to watch a new version of Up Pompeii! or Citizen Khan.
But good writing didn’t stop in the 1970s and I would stick good money that in 20 years my kids will be watching repeats, and possibly remakes, of early 21st Century classics such as Phoenix Nights, The Office, Gavin and Stacey and Alan Partridge.