And the parallels didn’t end there – sulky teenage daughters, ineffectual male characters, dogged detectives and men with beards all pitched up in both series, which meant that sometimes it was a little difficult to remember which show you were watching.
The fact that neither series turned into anything particularly memorable didn’t help. Having seen all the episodes of both The Pact and Innocent, it’s safe to say they’re exactly that – safe.
Solidly written, solidly performed, nothing to startle the horses. The Pact starts with that crime thriller staple, the desperate run through a dark wood, before flashing back to ‘some weeks earlier’. It improves from a clichéd start, however, until a final twist which seems to come from nowhere.
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Innocent, meanwhile, starts promisingly, but then gets bogged down in suspects, and the lies they tell, before another final twist which again seems a bit of a cheat.
As undemanding viewing goes, The Pact and Innocent were the same – just okay. Let’s hope for something completely different next time.
If you want difference, look to the breakout star of series 11 of Taskmaster (C4, Thurs, 9pm), Mike Wozniak. A man in a bank manager’s brown suit who is capable of the oddest, funniest flights of fancy.
All hail Eurovision (BBC4, Tues/Thurs, 8pm) and it’s ludicrous, overblown sense of joie de vivre. The semi-finals were a laugh, and tonight’s final looks sure to be a beacon of light in this time of Covid.