From then on, we’re in fairly familiar territory – a family in thrall to a fading patriarch, a ‘well-respected’ pillar of the community with a whole graveyard full of skeletons, and a town full of red herrings, dead ends and shifty-looking characters.
The Bay makes full use of its beautiful setting, with characters meeting on Morecambe’s windswept front, and expansive shots of the distant Lakeland fells – although it does make you wonder how directors coped before drones, with direct overhead shots becoming as much a crime-thriller cliché as unfurling police tape and grumpy senior officers.
Speaking of which, here’s Daniel Ryan, as the grumpy senior officer DI Tony Manning, who’s one insubordinate comment away from slamming a glass door and demanding a badge.
There’s lots here about family, as our lead DC Lisa Armstrong (Morven Christie) struggles with being a single mum, and DI Manning’s marriage is on the rocks, while our knowledge of the police ‘family’ is gradually expanding – which bodes well for future series.
Which is good, because the central crime procedural is – once you get past that bravura, well-known-face-in-the-chip-fryer style opening – a little pedestrian.
However, like Morecambe’s famous quicksand, you find yourself getting sucked in, as stroppy teens, dumped guns and Albanian tattoos are added to the mix. If you don’t struggle, you’ll enjoy it.
ITV is piling all its dramas into the beginning of the year, with Finding Alice (ITV, Sun, 9pm) popping up as well as The Bay. Enlivened by the presence of Joanna Lumley, it was a pleasant hour, but no more.
Back (Channel 4, Thurs, 10pm) is, well, back after a long hiatus, but it was well worth the wait for this profane, scabrous, hilarious sitcom, which reunites Peep Show’s Mitchell and Webb.