Lancaster's slave trade revealed

Lancaster pupils are learning about the city’s slave trade past at sessions in school and the Judges Lodgings museum.

Friday, 12th November 2021, 2:30 pm
Updated Friday, 12th November 2021, 2:32 pm
Pupils of Loyne Specialist School with placards they created during a Facing The Past art workshop.
Pupils of Loyne Specialist School with placards they created during a Facing The Past art workshop.

The workshops are part of Facing The Past, a new project funded by Arts Council England, which aims to reflect, reveal and redress omissions in the way the city has so far commemorated its role in the transatlantic slave trade.

The Judges Lodgings, a partner in the project alongside Lancaster Priory, Lancaster Black History and arts, heritage and community organisations including More Music, has hosted school visits.

The museum houses collections commemorating Lancastrians involved in slavery including furniture makers, the Gillows.

Sign up to our daily newsletter

The i newsletter cut through the noise

Young people will visit the Judges Lodgings during the Facing The Past project.

As well as being home to displays of Gillow furniture, the Judges Lodgings acknowledged Lancaster’s slave trade connections when it commissioned Turner Prize winning artist Lubaina Himid’s Swallow Hard in 2007, marking the bicentenary of its abolition.

Lancaster Black History founder, Geraldine Onek, has been leading Facing The Past’s history sessions.

At Loyne Specialist School she delivered a sensory story based on the transatlantic slave trade using fictional characters.

“By the end of the session students were able to name the goods imported from the West Indies as well as key places involved in the triangular slave trade,” said Geraldine.

Reflecting on its past, Lancaster Priory will be a focal point of the Facing the Past project. Picture by Darren Andrews.

“They shared their feelings about the mistreatment of people just because they had black skin and understood that it was wrong. They understood that although the slave trade is not legal today, racism still happens.”

Artist Sue Flowers taught Loyne pupils about her commission for the 2007 Abolished? project and how art can tell stories, make a difference to people’s understanding and reveal aspects of hidden history.

During Sue’s workshops at the Judges Lodgings, pupils explored the role of sugar and coffee as traded products brought back to Lancaster and produced CD covers for their chosen music by black artists. They also made protest placards to explain how they felt about the treatment of the slaves and what this history means to them today.

Cathedral Catholic Primary School pupils used the story of the graffiti on slave trader Abraham Rawlinson’s memorial in Lancaster Priory churchyard after the Black Live Matters protests, as inspiration for writing newspaper reports.

They visited the Judges Lodgings and saw artefacts linked to the slave trade including the Gillow bookcase bought by Mary Rawlinson, Abraham’s mother. The students also used the Rawlinson’s family tree to discover who was directly and indirectly linked to the slave trade.

The Cathedral pupils also participated in an art workshop led by artist Nayna Lad, who’s taught art and design in Africa and the UK.

“The modern education system doesn’t give many opportunities for students to be creative and use local history so we hope that this project will inspire educators to teach beyond the classroom and use the history on our doorstep,” said Geraldine.

She is currently compiling a primary schools pack containing online resources as well as activities and teacher notes to support learning of the slave trade.

*Free Facing The Past community workshops are also running alongside the school sessions. Nayna Lad’s workshop takes place at Lancaster Priory on November 13. Details here